What's all the more remarkable is that Morissette isn't a particularly good singer, stretching the limits of pitch and credibility with her octave-skipping caterwauling. Often, it seems like Glen Ballard's pop inclinations fight against Morissette's exorcisms, as her bitter diary entries are given a pop gloss that gives them entry to the pop charts. Perhaps it was the individuality that made it appealing, since its specificity lent it genuineness - and, even if this is clearly an attempt to embrace the "women in rock" movement in alterna-rock, Morissette's intentions are genuine. ![]() ![]() She never disguises her outright rage and disgust, whether it's the vengeful wrath of "You Oughta Know" or telling him "you scan the credits for your name and wonder why it's not there." This is such insider information that it's hard to believe that millions of listeners not just bought it, but embraced it, turning Alanis Morissette into a mid-'90s phenomenon. This, after all, plays like an emotional purging, prompted by a bitter relationship - and, according to all the lyrical hints, that's likely a record executive who took advantage of a young Alanis. ![]() It's remarkable that Alanis Morissette's Jagged Little Pill struck a sympathetic chord with millions of listeners, because it's so doggedly, determinedly insular.
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